Art takes many forms. Watercolour is one of the most difficult materials to deal with when it comes to painting because of the mutability that water brings with it. Your paint might be difficult to handle if it is too liquid, and when it becomes too dark, it will not go back. But, like all types of art, continuous practice can truly lead to amazing completed masterpieces.
We may have outgrown this sort of painting, but artists have mastered the knowledge of this medium and they can create wonderful photos. Some are so intricate and so deep, that perhaps people don’t even think that they are made of watercolors!
If you are giving time to attempt and make art using watercolor, you will realize that with this medium you can produce magnificent masterpieces.
If you have chosen to try to make your own watercolor paintings, the acrylgiessen.com watercolor Guide will help you choose the most inspiring one. From basic color combinations to realistic pieces of art, these works by several artists might help you identify aquarelle painting techniques that suit your style and creative preferences.
1. Young Hare
Young Hare is a 1502 watercolor and body color painting by Albrecht Dürer, a German artist. Painted in 1502 at his workshop, it is recognized as a masterwork of observational painting. The subject is presented with almost photographic accuracy and although the work usually has the title Young Hare, the portrait is sufficiently detailed to identify the hare as a mature example. Hare’s fur in several directions and to mock the animal with lighter and darker patches, Dürer had to adapt the standard shading conventions to indicate the outliers. Despite the technical challenges in light appearance with a multicolor, multi-textured subject, Dürer not only created a detailed, nearly scientific study of the animal but also infused the picture with a warm, golden light, which struck the hare from the left side, highlighted the ears and the hair running along the body.
Edward Hopper’s Nighthawks is a 1942 oil on canvas painting that depicts four persons late at night in a downtown restaurant as seen through the cafe’s enormous glass window. The diner’s light illuminates a desolate and dismal cityscape. Edward Hopper’s Nighthawks, painted in 1942, is often regarded as the pinnacle of existential art, portraying the alienation and loneliness that characterize modern city life.
3. Starry Night
The painting Starry Night is one of the most well-known works of art in the world. It’s also totally everywhere. It can be seen on a variety of items, including coffee, mugs, t-shirts, towels, magnets, and more. To be honest, sometimes people get the impression that the painting’s popularity has surpassed that of its creator. It’s a breathtaking work of art. The fact that Starry Night has such a wide audience demonstrates how timeless and universal its beauty is. During his time in the institution of Saint-Paul-de-Mausole in Saint-Rémy-de-Provence in 1889, Vincent van Gogh painted Starry Night.
4. The Potato Eaters
The Potato Eaters is an oil work by Dutch artist Vincent van Gogh, created at Nuenen, Netherlands, in April 1885. It can be found at Amsterdam’s Van Gogh Museum. The Potato Eaters was conceived as a showcase for which Van Gogh purposefully picked a challenging subject in order to demonstrate that he was on his path to becoming a competent figure painter. He gave the peasants rugged cheeks and bony, working hands because the picture had to portray the harsh reality of farm life.
5. Great Piece of Turf
Albrecht Dürer’s watercolor painting The Great Piece of Turf was painted in his Nuremberg workshop in 1503. It’s an investigation of a seemingly random collection of natural plants, including dandelion and larger plantain. He painted this picture about a year after a similarly detailed study of a young hare and was examining a piece of nature in minute detail, very definitely to inspire his bigger scale engravings and oil paintings. The plants and grasses are shown a bit larger than life-size on the Great Piece of Turf, which measures 40.8 x 31.5 cms. Several types of meadow grass, as well as plantain, speedwell, and daisy leaves, are among the examples.
6. San Giorgio Maggiore at Dusk
Claude Monet’s oil work San Giorgio Maggiore at Dusk was completed in 1908. National Museum Cardiff, Wales’ national art gallery, is the owner of the picture. The original picture is 65.2cm × 92.4cm and is painted on canvas (25.7 in x 36.4 in). Claude Monet’s painting San Giorgio Maggiore at Dusk is an excellent example of his work. Sunset in Venice, often known as Monet’s Sunset in Venice or San Giorgio MaggioreDusk, was painted in the fall of 1908 in Venice, where he and his wife Alice had journeyed by chauffeur-driven automobile.
7. The Tragedy
Pablo Picasso frequently revealed a concealed picture on the surface of his painting. The Tragedy of Pablo Picasso is a 1903 artwork depicting three characters on a seashore. The guy and the lady glance down in an intrinsically well-known position. The youngster appears to be too small to realize what is happening to the lady.
They look so distracted to give the youngster any support or response. The calamity in this artwork is therefore subjective rather than a reference to any specific occurrence. The Tragedy is now on view in Washington DC at the National Art Gallery.
8. Durer’s Rhinoceros
Since its original publication in 1515, this woodcut of an Indian rhinoceros by Dürer has been always popular. Over a century or so, eight printed copies were taken from the original Woodblock. Many painters have used it as a basis for their own representations of the animal during the next two centuries. The wording at the beginning of the print shows that the animal represented is the animal given to King Manuel I from Goa to Portugal. The rhinoceros were the first in Europe to come and to create a feeling for ages. The animal itself was not seen by Dürer but his amazingly precise representation seems to have been based on accounts and photos of the animal that arrived at Nuremberg.
9. Woman with a Parasol
A woman with a Parasol was painted outside, perhaps in a single session lasting many hours. The artist wanted to communicate instead of a formal portrait the sensation of a casual family excursion and to indicate that his wife and son halted their walk while they photographed their likenesses.
Monet has used an uncommon low point of view in this picture of Camille and his son Jeon, so the artist looks at his subject. This increases the import of Camille as she occupies the top sections of the canvas and gives her a nearly iconic aura. Her skirts appear to swirl around the wind. The diminutive figure of Jeon is utilized by Monet to balance the overall composition and adds movement to the otherwise immobile painting.